Artist Interview: Saeko Ehara
Saeko Ehara is a Kirakira (Japanese word for glitter, glisten, twinkle) artist and video journalist based in Tokyo. She represents Kirakira motifs such as jewels and flowers in her works and is inspired by Japanese Anime culture. With a background in oil painting, she is interested in finding a connection between analog and digital experiences and mixing the old with the new.
Saeko’s inspiration comes from memories and joys of her childhood. She continues to learn and explore the expressions of Kirakira using multiple types of software to make the world full of Kirakira and joy through her art.
We asked Saeko about her art, creative process, and inspirations.
Can you tell us about your background as a digital artist? How did you get started in this field?
In 2010, I completed my studies in the oil painting department at KABK (Royal Academy of Art, The Hague) in the Netherlands. Throughout my academic journey, I explored various artistic expressions including drawing, installation, and performance. Towards the conclusion of my studies, I delved into the realm of analog video tapes and cameras, marking my initial foray into digital art.
Upon returning to Tokyo, I swiftly immersed myself as a VJ for concerts, leaving me with little time to dedicate to my own artistic endeavors. In 2020, I embarked on a journey of learning creative coding at Digital Hollywood in Tokyo to enhance my skill set. During this period, I created several artworks, particularly in response to assignments. With the onset of the pandemic, all concerts were inevitably canceled, prompting me to earnestly engage in the creation and presentation of my own works.
What inspires your art? Are there any particular themes or subjects that you enjoy exploring through your artwork?
My inspirations consistently stem from memories of my childhood. During my early years, I was captivated by drawing, amassing Kirakira (sparkling) cards featuring my beloved Anime characters, collecting stickers and toys, acrylic jewels, small glassworks, and immersing myself in illustrated books of flowers. My enthusiasm was so fervent that time seemed to slip away effortlessly while I indulged in these cherished activities.
In my more recent creations, I integrate a diverse range of AI-generated images. However, a perpetual theme persists: “I would love to make the world full of Kirakira." As a result, my artworks consistently radiate and twinkle, despite their often distinct appearances.
Can you tell us about Alive — what was the creative process like, and what’s special about it?
The image draws inspiration from the Art Nouveau artist Alphonse Mucha's 'Reverie (1897)' and incorporates elements of anime style with the help of AI (Midjourney). The image was edited using Adobe Photoshop and animated generatively using TouchDesigner, a node-based software for visual coding.
I first discovered Mucha's artworks during my teenage years when I began studying oil painting. I was always captivated by his intricate and ornamental expressions. Despite the figures and plants being outlined, they possess an organic quality that makes them appear alive.
To me, the process of animating a still image is what breathes life into my artwork.
How do you balance technical skills with artistic creativity in your digital artwork? How do these two aspects complement each other in your work?
I am consistently striving to achieve a harmonious balance between technical proficiency and artistic creativity. In my recent creations, AI-generated images constitute a significant portion. When I amalgamate images and animations, I am attentive to ensuring a cohesive fusion. Additionally, I endeavor to blend images and techniques in order to craft captivating and alluring artworks.
Saeko is also featured in 10 Digital Artists: Digital flowers that blossom in our hearts
Can you share an example of a challenging project you've worked on recently? What were the obstacles you encountered, and how did you overcome them?
Bright Moments Tokyo posed a challenge for me. I had never attempted the creation of 100 artworks as a singular, comprehensive collection before. The task of devising an effective structure and optimal animation combinations proved to be difficult. Furthermore, there were numerous new elements, such as in-real-life (IRL) minting during the exhibition. There was an abundance of things to learn.
When faced with obstacles, I consistently invest a substantial amount of time in research, exploring various possibilities to the fullest extent, and occasionally seeking advice from others. While these steps may appear straightforward, I firmly believe in the significance of undergoing a multitude of trial-and-error processes in order to successfully overcome the challenges at hand.
How would you define the digital art space in where you’re based?
I'm currently based in Tokyo, although my foundation is primarily online. I maintain contact with numerous digital artists from around the globe. While our backgrounds and styles may greatly vary, we hold a mutual respect and passion for our creation. While I haven't personally met the majority of these artists, it's truly gratifying to forge connections through our shared artworks.
What advice would you give to aspiring digital artists who are just starting out? Are there any resources or learning materials you would recommend to help them improve their skills?
I consistently acquire new skills through YouTube tutorials or by enrolling in paid online courses, often available on platforms like Patreon. When artists offer Patreon courses, they typically provide the link within the YouTube description. Thus, if you're keen on proactive learning, I encourage you to explore these resources.
I recollect that immediately after my graduation, it was quite challenging to identify exhibition opportunities and establish meaningful connections with others. Nevertheless, if you persist in conveying your own message to the world and consistently sharing your creative output, you will inevitably encounter individuals who resonate with your vision. It's completely acceptable to invest time in finding the ideal path. So, please dispel any worries and relish the process of creation.