almyre (Benoit Baudry) is a Professor of Computer Science and a generative artist based in Stockholm. In 2019, he founded the re|thread collective, a platform for exploring the intersection of software and art through generative projects, plotter art, the restoration of digital artworks, and collaborative NFT initiatives such as folkfigur.

Di Lu is a visual designer working between Los Angeles and Beijing. Her practice sits at the intersection of design, culture, and storytelling, spanning typography, books, installations, and digital experiences. Moving between these two cities has shaped both her worldview and her visual language — one grounded in history, responsibility, and depth, the other fueled by experimentation, play, and creative risk. This constant negotiation between cultures shows up in work that feels poetic and emotional, yet bold and slightly off-balance.

Mizuki Tanahara is a London-based media artist who loves exploring the hidden systems that quietly shape how we move through the world — algorithms, data infrastructures, surveillance tools, all the invisible machinery behind our screens. Working across installation, moving image, data-driven sculpture, and performance, she creates research-led artworks that make these systems feel tangible, sometimes even emotional.

María Sánchez is an interdisciplinary artist based in Jupiter, Florida. Her work moves fluidly between traditional and digital painting, drawing, experimental poetry, and movement-based deconstruction. Drawing from psychoanalysis, quantum phenomena, mysticism, and technology, she blends paper, metal, and ink with digital techniques to create hybrid forms that sit between the organic and the synthetic. Her practice often reflects on the ways power structures shape perception, memory, and the unconscious, using both handcrafted and algorithm-inspired approaches to explore the blurred boundary between self and system.

David Miller is a UK-born visual artist whose work blends narrative, AI-assisted imagery, and painterly approaches to explore memory, ritual, and the quiet strangeness of childhood. A former filmmaker and scriptwriter, Miller creates cinematic scenes filled with emotional ambiguity, gentle ghosts, and half-remembered moments. His practice investigates the shifting boundary between what we recall, what we invent, and what continues to haunt us.

Natalia Titova is a digital artist specializing in literary-inspired digital collages. Since beginning her artistic practice in 2022, she has been developing a distinctive visual language shaped by her lifelong fascination with writers, their texts, and the emotional landscapes they create. Drawing on her background as a graphic designer, she embraces the freedom of pixels — a space without physical limits, where ideas can unfold, shift, and transform.

Yinxue “Lucy” Zou is a Chinese graphic designer and visual artist currently based in North Carolina, working between Raleigh, Boston, and the New York area. Originally trained in architecture, she later completed her MFA in Graphic Design at Boston University. Lucy’s practice spans experimental posters, digital collages, and artist books that explore memory, dreams, migration, and the emotional “grey zones” of living between cities, languages, and identities. Her works often combine blurred photography, layered typography, and abstract forms to create quiet, atmospheric compositions.

Joseph Farbrook is an American artist working across electronic installations, interactive video, augmented and virtual reality, video sculpture, live performance, and experimental projection. Known for inventing customized media platforms that merge physical and virtual art-making practices, he explores how cultural mythologies evolve and how mediated perception shapes the way we understand the world. His current body of work investigates consciousness itself, expressed through digitally designed and fabricated forms that are integrated with experimental screen-based and projection technologies.

Christopher Reusch studied environmental protection before completing a Master’s degree in South Africa, where he learned the value of Observation. Afterward, unsure of his path, he began hiking barefoot in 2012 and eventually drew himself out of a depression a decade later, in 2022. Those early drawings felt almost demonic — frightening, intense, and strangely instructive. His first book, The Book of Fear, made that connection unmistakable, as if the work itself was guiding him to understand fear on a deeper level.

Chaeyeon Kang explores the fragile intersection of body, memory, and digital-physical hybridity. Working across printmaking and experimental media, she investigates cycles of vulnerability and resilience through her own female bodily experiences and virtual female bodies. Through collage and layering, she pursues sensations that can’t be captured through traditional methods alone, gravitating toward materials and images that exist in liminal spaces — never fully one thing or the other.

Joe Banks is an installation artist, researcher, and electronic musician behind the long-running project Disinformation. His work centers on electricity, communication, and language — often taking the form of electromagnetic sound pieces and audio-visual illusions. His latest piece, Language [as] Meta-Technology, pushes this inquiry further by challenging narrow definitions of what “counts” as language. Rather than limiting language to human syntax or computer code, the work proposes that language is everything we use to communicate — across species, histories, and technologies.