Joseph Farbrook is an American artist working across electronic installations, interactive video, augmented and virtual reality, video sculpture, live performance, and experimental projection. Known for inventing customized media platforms that merge physical and virtual art-making practices, he explores how cultural mythologies evolve and how mediated perception shapes the way we understand the world. His current body of work investigates consciousness itself, expressed through digitally designed and fabricated forms that are integrated with experimental screen-based and projection technologies.

Christopher Reusch studied environmental protection before completing a Master’s degree in South Africa, where he learned the value of Observation. Afterward, unsure of his path, he began hiking barefoot in 2012 and eventually drew himself out of a depression a decade later, in 2022. Those early drawings felt almost demonic — frightening, intense, and strangely instructive. His first book, The Book of Fear, made that connection unmistakable, as if the work itself was guiding him to understand fear on a deeper level.

Chaeyeon Kang explores the fragile intersection of body, memory, and digital-physical hybridity. Working across printmaking and experimental media, she investigates cycles of vulnerability and resilience through her own female bodily experiences and virtual female bodies. Through collage and layering, she pursues sensations that can’t be captured through traditional methods alone, gravitating toward materials and images that exist in liminal spaces — never fully one thing or the other.

Joe Banks is an installation artist, researcher, and electronic musician behind the long-running project Disinformation. His work centers on electricity, communication, and language — often taking the form of electromagnetic sound pieces and audio-visual illusions. His latest piece, Language [as] Meta-Technology, pushes this inquiry further by challenging narrow definitions of what “counts” as language. Rather than limiting language to human syntax or computer code, the work proposes that language is everything we use to communicate — across species, histories, and technologies.

Abolfazl Pashna is a painter whose work explores human-centered, philosophical, and existential themes. After earning a diploma in Visual Arts and a Bachelor’s degree in Painting from Azad University, he began exhibiting professionally in 2016. Since then, his practice has evolved from abstract, intuitive explorations of imaginary worlds into works grounded in personal and social realities. His paintings often challenge viewers through the interplay of materials, textures, and layered visual narratives, balancing experimentation with deliberate conceptual intent.

Eloise Evangelista is a 3D designer and visual artist whose work moves fluidly between motion design, digital experimentation, and conceptual research. As the founder of Gxia Studio, she leads a boutique practice focused on exploring the intersections of art, technology, and communication through immersive and experimental projects. Her visual language blends precision and emotion — creating digital worlds where structure meets spontaneity.

Michele Rinaldi is a Rome-based artist and researcher working at the intersection of new media, digital arts, and environmental sustainability. His practice centers on multimedia installations powered by artificial intelligence, exploring invisible ecological processes such as CO₂ emissions and environmental transformations linked to climate change. Through his work, Michele investigates how technology can both reveal and critically reflect on the relationships between humans, nature, and computational infrastructures.

Javier Aparicio Frago is a multidisciplinary artist whose work moves fluidly between painting, music, and technology. Based in Spain, his practice blends traditional artistic techniques with new media, creating immersive experiences that span soundscapes, stage performances, and visual artworks. With a deep commitment to research and teaching, Javier combines creative experimentation with scholarly rigor, exploring the intersections of art, movement, and digital innovation.

David Morgan is an artist, designer, and developer whose work blurs the boundaries between art and code. With a background in web design and illustration, he crafts digital experiences that balance technical precision with creative play — transforming simple ideas into worlds that are both humorous and introspective. His aesthetic draws on a lifelong love of cartoons, character design, minimalism, and alternative culture, resulting in work that feels equal parts nostalgic and experimental.

In Embrace, Skye Von invites participants to restore color and balance to a fading world through presence and consensual touch — a quiet metaphor for how connection and empathy can reawaken the spaces between us.

Michael Woodruff is a London-based multidisciplinary digital artist whose career spans over two decades across film, documentaries, advertising, and art. His work ranges from Hollywood blockbusters and Netflix productions to holograms, brand campaigns, and museum installations. With a deep passion for motion design, archives, and animation, he weaves nostalgia and abstraction through a refined design sensibility.