A blog dedicated to digital artists
Exhibition: Making Our Miracles
Making Our Miracles is a collaborative project by artist Clayton Campbell and curator Cansu Peker, who will together conceptualize and present a series of contemporary digital ex-voto art works created by a cohort of international artists using AI-assisted art in a unique participatory project.
Making Our Miracles is presented in partnership with DeepAI, and has been invited to be part of the 7th edition of The Wrong Biennale, taking place from November 1st, 2025, to March 31st, 2026.
An award-winning cartoonist and digital art pioneer, Joe Chiappetta has been creating art since long before “digital” was a common word in the studio. Originally from Chicago and now based in California, he is best known for Silly Daddy Comics and ArtVndngMchn, with a career spanning the Independent Comics Publishing Movement of the 1980s to today’s Rare Digital Art and Cryptoart scenes. His work blends humor, family, and faith, often reflecting a lighthearted yet deeply personal perspective.
Jingyuan Huang is a Maryland-based graphic designer and motion creative whose work merges clean, thoughtful aesthetics with engaging storytelling. With experience in marketing design and a growing focus on social media visuals, she creates content that balances strategic intent with artistic expression. Her projects span motion graphics, digital campaigns, and visual identities, reflecting both precision and emotion, as she seeks to connect audiences through movement, color, and narrative.
Mieke Marple is a Los Angeles–based artist and writer whose practice spans painting, generative art, and storytelling. Her work often merges humor, mythology, and personal narrative to explore how cultural archetypes reflect our collective and individual struggles. In recent years, Mieke has brought a lighter, more playful energy to her practice. After creating The Medusa Collection, a generative NFT series reframing Medusa’s story through a feminist lens, she turned her focus toward humor and healing. Inspired by the comedians in her life, she developed Live, Laugh, Lube, a project that embraces joy, intimacy, and self-awareness with a wink.
Known for “hacking systems of power with art, code, and glitter,” Andrew has long blurred the lines between traditional painting, internet performance, and technological critique. From her viral “vision boards” that hijacked Google search results to her powerful Facetune Portraits, Gretchen Andrew’s work continues to question who gets to control images, narratives, and visibility in the digital age.
Dot Dot Whatever (• • ……..) is the creative project and moniker of a New York–born multimedia artist whose work revolves around one simple yet endlessly expressive form — the circle. What started as a lighthearted experiment has evolved into a thoughtful exploration of shape, placement, color, and perception. Each work is titled with a serial number to invite open interpretation, encouraging viewers to see whatever they wish — a crying face, two circles embracing, something abstract, or something emotional. The artist sees themselves not as the center, but as part of a shared dialogue where meaning is shaped by others’ perspectives.
Xy Arnaldo is a digital artist and designer based in Metro Manila, Philippines. Her work spans digital art, animation, public art, and visual storytelling — often blending personal reflection with emotional resilience and dreamlike narrative flow. Through introspective imagery and layered storytelling, she transforms inner thoughts and memories into poetic visual worlds that resonate with quiet strength. Balancing freelance design work with her fine art practice, Xy is steadily carving her path in the digital art and animation landscape, guided by curiosity, sincerity, and a love of narrative form.
Wenwen Zhu is a Chicago-based animator and illustrator whose work lives in the space between surrealism and wabi-sabi — where imperfection, stillness, and mystery quietly coexist. Moving between 3D animation and drawing, she builds poetic worlds that invite viewers to linger and feel rather than decode. Her images often explore the subtle ties between people, society, and nature, revealing emotion through restraint and atmosphere instead of narrative clarity. Each piece feels like a visual haiku — spare, ambiguous, yet deeply resonant.
Raymond Giuffrida is a multidisciplinary artist, screenwriter, songwriter, and founder of Compass Charlatan Publishing, a creative hub where he writes screenplays, books, and songs while also producing digital art. His visual works, often crafted from photographs and digital paint programs, come to life during road trips or periods of introspection at home. For him, creativity is both grounding and exploratory — a way to stay balanced while questioning how art shapes (or escapes) our personal biases.
Victor Acevedo is one of the early pioneers of desktop digital art, creating fine art images and videos with computers since 1985 — long before digital art became mainstream. His journey began even earlier, in 1983, when he started experimenting with computer graphics under the influence of legendary artists Frank Dietrich and Tony Longson. Rooted in geometric abstraction yet often intertwined with figuration, his hybrid imagery carries a metaphysical sensibility that bridges technology, philosophy, and form.
Martine Jacobs is a Dutch artist whose work moves between the digital and the handmade, blending AI generation with delicate pastel interventions. Her recent series, Four Hybrid Works – Between Algorithm and Memory, explores what happens when beauty, once central to art, begins to fade into memory. Each piece starts with artificial intelligence and ends with her touch — a quiet act of resistance that brings warmth and humanity back into the machine-made.
Yuanhao Tang is an illustrator known for his bold line work, flat colors, and distinctive storytelling flair. Working primarily in the book and editorial illustration markets, his art combines a sharp graphic sensibility with thoughtful, conceptual depth. Rooted in a lifelong love of comic books; beginning with a well-worn Batman issue from his childhood, Yuanhao’s art practice started with years of traditional drawing and painting before evolving into the digital realm.
Tips & Tools
As Halloween creeps in, we’ve gathered some incredible deals and events for you — from spooky art events and creative software to limited-time discounts on tools we actually love using. Here are the best Halloween treats to help you create, learn, and save. Explore our Spooky Season Roundup for this year’s top events, specials, and discounts for digital artists and creators.
Clawlab recently sent me their Tufting Kit, and honestly, it’s the analog hobby I didn’t know I needed. Moreover, you can turn your digital illustrations into fuzzy, colorful objects — rugs, wall art, little tactile versions of your designs you can literally run your fingers through.
SLAPSHOT, the AI-powered VFX toolkit from Hotspring, has officially launched its most powerful innovation to date: a professional-grade AI Camera Tracking tool designed to deliver precise camera solves and dimensionally accurate point clouds in a fraction of the time it takes with traditional methods.
Whether you're applying for freelance gigs, looking to land an art residency, or just want a clean, professional way to showcase your work, having a digital art portfolio is essential. It’s your visual resume, your pitch deck, your highlight reel. But how do you actually build one that feels you and also gets the attention of clients, curators, or collectors? This guide includes honest tips for making a digital art portfolio that stands out.
Rebelle 8, with more than 40 new features, marks a major milestone in the software’s evolution. This version introduces powerful new Bristle Brushes, a realistic oil shader with soft shadows, expanded professional tools, and refined workflows designed to meet the demands of both emerging and established digital artists.
For digital artists, moving from 2D to 3D has often felt like crossing a creative canyon—steep tools, complex workflows, and time-consuming processes. That divide between 2D creativity and 3D production has kept illustrators, concept artists, and solo developers from fully exploring new dimensions of their work. Meshy changes that. It lets creators turn sketches, images, or even simple prompts into export-ready 3D assets all from the browser, with no prior experience in modeling or rigging required.
The 2025 NYSCA/NYFA Artist Fellows and Finalists have just been announced — and I can finally share that I had the honor of serving as a panelist this year!
Art is everywhere - on walls, in books, across city streets, and tucked away in private collections. We admire it, discuss it, even argue about it. Yet, beneath the surface of the pieces we know and love are some fascinating details that often go unnoticed. Here are five lesser-known facts about art that might just change the way you see it.
If you’re new to digital art, or even if you’ve been at it a while, you’ve probably heard the terms vector and raster thrown around. Maybe someone said, “That’s a vector file” or “Oops, it’s too pixelated — it must be raster.” And you were like... okay cool... but what does that mean, exactly? Honestly, same. I had no idea what the difference was before I sat down and did my research. In this guide, I’ll break down everything I learned about vector and raster art, when to use each one, what tools to try, and how it affects the way you create, share, and sell your work.
The Wacom MovinkPad 11 is one of those “I didn’t know I needed this until I saw it” devices. It’s for anyone who wants to draw more often — even if they’re not a “digital artist” yet. It feels like a sketchbook, works like a tablet, and delivers like a Wacom. Whether you’re doodling at a coffeeshop or finally making time for that comic idea you've been sitting on, it’s there for you.
Sunsets, summer crushes, and a love triangle we can’t stop thinking about — The Summer I Turned Pretty is full of digital art inspo. This beachy, emotional series makes the perfect moodboard for dreamy fan art. Here’s some of my favorite illustrations inspired by the show.
So you’ve heard about NFTs when they took over the internet in 2021 and 2022, and after 2023 it felt like everyone forgot about it and you think you missed the hype. I’m here to tell you that you’re not late to the game at all. We’re actually just starting! In this guide, I’ll walk you through the basics of minting your first NFT. By the end, you’ll have a clear sense of how it all works, what platforms to try, and what scams to avoid.
Exhibitions & Events
From Tuesday, October 21st to Saturday, October 25th, the Brooklyn Academy of Music presented What is War, a poetic performance created by Eiko Otake and Wen Hui. I had the pleasure of attending the Friday showing and witnessing the creators explore the gravity war carries not just on a national scale, but on an individual and communal level.
Ciclope Festival has long been the global stage for celebrating expert craft in film, advertising and design. At the 2025 ceremony, held in Berlin, Untold Studios took centre stage as co-founders Darren O’Kelly and Rochelle Palmer delivered “The Decade of the Independents,” a powerful keynote reflection on how independence has become a creative advantage in today’s industry.
I went to see SUBMERGE: Beyond the Render at ARTECHOUSE on Friday. The experience unfolds beneath Chelsea Market in this enormous, dark room where digital art surrounds you from every direction — it’s the kind of place that makes you forget you’re in New York for a while.
I spent an afternoon at ARTE MUSEUM New York, and honestly, it’s one of the most thoughtfully designed immersive art spaces I’ve been to. The current exhibition is called “Eternal Nature,” and it explores the beauty and rhythm of the natural world through light, sound, and scent — in a way that feels surprisingly meditative rather than overwhelming.
When I spoke with curator of the AI HOKUSAI project, art manager and producer, and CEO of TAtchers’ Art Management, Anna Shvets, she described a project that feels part laboratory, part homage, and part provocation. For more than a year and a half the initiative has been asking a deceptively simple question: what happens when you bring Hokusai’s way of seeing into a world shaped by code?
Swiss artist duo KiefferWoodtli bring their immersive audio installation Arboreal Severance to New York’s Planetary Embassy during Climate Week. Using the living signals of a 101-year-old Japanese Pagoda Tree, the work explores our fractured relationship with the Earth — shifting between harmony and dissonance as visitors move through the space. On view 23–25 September, the installation invites audiences to listen, feel, and remember our connection to nature.
Britain is cementing its place as a global hub for AI and digital art. This September, Digitalism returns to the British Art Fair at Saatchi Gallery with over 60 artists showcasing work across AI, AR, VR, moving image, sculpture, and more. Founded by Rebekah Tolley in collaboration with British Art Fair CEO Will Ramsay, the exhibition has already attracted over 87 million views on Instagram — and promises to be one of the most exciting digital art events of 2025.
City of Apparition is FuturePerfect’s new mixed reality experience, created in collaboration with visual artist Lin Shu-Kai. Building on a decade of immersive storytelling research and Lin’s fully analog world-building and puppeteering practice, the project merges installation and visual art with game engines and interactive technologies.
Blink Twice explores the threshold between the visible and invisible, between what’s physically present and digitally conjured. Through Augmented Reality (AR) layered on digital art prints, each work comes alive when the viewer chooses to look again. This exhibition, the first of its kind in Hudson, is an invitation to reconsider the limits of perception in a world increasingly shaped by what we cannot touch. Curated by Digital Arts Blog founder, Cansu Peker, for The Hudson Eye Festival.
On May 5th, Columbia University’s Digital Storytelling Lab hosted its Spring Showcase: an evening of projects that redefined storytelling through AI, AR, physical computing, and more.In this feature, we’re spotlighting Gesture MIDI Controller: A Wearable Musical Interface, a student project by Jaeden Riley Juarez that transforms movement into sound through creative coding and custom-built tech.
If you find yourself in East London this summer, Body of Knowledge, Louisa Clement’s current solo exhibition at Annka Kultys Gallery, is well worth the visit — arguably one of the gallery’s most powerful shows to date.
What happens when technology becomes more than a tool — when it becomes a reflection, a counterpart, even a source of longing? In The Romance of Technology, artist and immersive storyteller David Van Eyssen invites audiences into a visually charged, deeply personal talk exploring the strange intimacy we’ve developed with machines.
Artist Spotlights
Discover the remarkable talents of digital artists from all backgrounds and practices, and learn more about their stories and inspirations
Exhibitions & Events
Stay in the loop with insightful reviews and commentary on the latest events and exhibitions in the digital arts world
Tips & Tools
Learn about the fundamentals of different forms of digital art and find essential tools and valuable guidance to build a thriving career as a digital artist


Nick Abramo is a veteran journalist with over forty years of experience in the field, who recently turned his curiosity toward a new creative outlet: poetry. His foray into AI-assisted writing began as a lighthearted experiment (asking ChatGPT to generate a sports article) but quickly evolved into a deeper exploration of how technology and creativity can intersect. What started as a test of AI’s capabilities soon became a unique hybrid process: Nick provides the ideas, themes, and direction, while AI drafts the initial form — which he then heavily edits, shaping it into something distinctly his own.